Creative problem- solving, through music.

I’m an award winning independent music supervisor with 15 years of experience in entertainment marketing, now working across trailers, film, television, and gaming.

My approach is rooted in creative problem-solving through music — finding the right songs, developing original music, and connecting the right people to bring ideas to life.

This is what I do

Trailer Music Supervision & Strategy
>Creative music searches, song selection, custom music, remixes, and licensing support for trailers and entertainment marketing campaigns.

Film & Television Music Supervision

> Music selection, creative direction, licensing, and clearance for film, television, and documentary projects.

Creative Customs Consultation

> Connecting creative teams with composers and music producers, developing briefs, and overseeing custom music, remixes, and adaptations.

Sync A&R For In-Game Music Production

> Working with composers and production teams to develop original music for games, from creative briefs and talent sourcing to feedback and delivery.

more about me

My work has expanded into film, television, and in-game music production, and I've really enjoyed the opportunity to explore different sides of the music industry.

Before starting Happy Goose Productions, I worked at Aspect, Wild Card Creative Group, Big Picture, and Rogue Creative Agency, contributing to campaigns for titles including Avatar: Fire and Ash, Kingdom of the Planet of the Apes, Transformers: Rise of the Beasts, Dune, and No Time to Die.

Today, I work with filmmakers, production companies, trailer agencies, game developers, and music companies on everything from music searches and licensing to custom music and original productions. I love the problem-solving side of music supervision, whether it's finding an unexpected song, figuring out how to make a creative idea work, or bringing the right people together.

One of my favorite parts of this career has been the relationships I've built along the way. I enjoy working with people who are passionate about what they do, connecting composers and artists with opportunities, and sharing what I've learned with others in the industry.

I'm always happy to connect and explore new collaborations.